INDIA. Ivory-Cutters at Berhampur, Bengal, antique print, 1851

CAPTION BELOW PICTURE: 'Ivory-Cutters at Berhampoor (Bengal), for The Great Exhibition'

Great Exhibition 1851
The Great Exhibition of the Works of Industry of all Nations or Great Exhibition, sometimes referred to as the Crystal Palace Exhibition in reference to the temporary structure in which it was held, was an international exhibition that took place in Hyde Park, London, England, from 1 May to 15 October 1851. It was the first in a series of World's Fair exhibitions of culture and industry that were to become a popular 19th century feature. The Great Exhibition was organised by Henry Cole and Prince Albert of Saxe-Coburg and Gotha, the spouse of the reigning monarch, Victoria. It was attended by numerous notable figures of the time, including Charles Darwin, members of the former French Royal Family and the writers Charlotte Brontë and George Eliot.

Background
The Great Exhibition of the Works of Industry of all Nations was organized by Prince Albert, Henry Cole, Francis Henry, Charles Dilke and other members of the Royal Society for the Encouragement of Arts, Manufactures and Commerce as a celebration of modern industrial technology and design. It can be argued that the Great Exhibition was mounted in response to the highly successful French Industrial Exposition of 1844. Prince Albert, Queen Victoria's consort, was an enthusiastic promoter of a self-financing exhibition; the government was persuaded to form the Royal Commission for the Exhibition of 1851 to establish the viability of hosting such an exhibition. Queen Victoria and her family visited 3 times.
A special building, nicknamed The Crystal Palace, was designed by Joseph Paxton (with support from structural engineer Charles Fox) to house the show; an architecturally adventurous building based on Paxton's experience designing greenhouses for the sixth Duke of Devonshire, constructed from cast iron-frame components and glass made almost exclusively in Birmingham and Smethwick, which was an enormous success. The committee overseeing its construction included Isambard Kingdom Brunel. The massive glass house was 1848 feet (about 563 metres) long by 454 feet (about 138 metres) wide, and went from its initial plans of organisation to its grand opening in just nine months. The building was later moved and re-erected in an enlarged form at Sydenham in south London, an area that was renamed Crystal Palace; it was eventually destroyed by fire on November 30 1936.
Six million people – equivalent to a third of the entire population of Britain at the time – visited the Exhibition. The Great Exhibition made a surplus of £186,000 which was used to found the Victoria and Albert Museum, the Science Museum and the Natural History Museum which were all built in the area to the south of the exhibition, nicknamed "Albertopolis", alongside the Imperial Institute. The remaining surplus was used to set up an educational trust to provide grants and scholarships for industrial research, and continues to do so today.
The exhibition caused controversy at the time. Some conservatives feared that the mass of visitors might become a revolutionary mob, whilst radicals such as Karl Marx saw the exhibition as an emblem of the capitalist fetishism of commodities. In modern times the Great Exhibition has become a symbol of the Victorian Age, and its thick catalogue illustrated with steel engravings is a primary source for High Victorian design.

(Source Wikipedia)

DATE PRINTED: 1851    

IMAGE SIZE: Approx 14.5 x 23.5cm, 5.75 x 9.25 inches (Medium)

TYPE: Antique wood engraved print

CONDITION: Good; suitable for framing. However, please note: The image shown may have been scanned from a different example of this print than that which is offered for sale: The print you will receive is in Good condition but there may be minor variations in the condition compared to that shown in the image. Please check the scan for any blemishes prior to making your purchase. Virtually all antiquarian maps and prints are subject to some normal aging due to use and time which is not obtrusive unless otherwise stated. We offer a no questions asked return policy.

AUTHENTICITY: This is an authentic historic print, published at the date stated above. It is not a modern copy.

VERSO: There are images and/or text printed on the reverse side of the picture. In some cases this may be visible on the picture itself (please check the scan prior to your purchase) or around the margin of the picture.

ARTIST/CARTOGRAPHER/ENGRAVER: Unsigned

PROVENANCE: Illustrated London News