| ALPHABETICAL INDEX | DATE INDEX | UK & IRISH INTEREST | WORLD INTEREST | GENERAL INTEREST |
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VANITY
FAIR CARTOONS aka SPY CARTOONS |
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From 1868 to 1914
Vanity Fair caricatures both lampooned and praised eminent Victorian and Edwardian Politicians, Sportsmen, Lawyers
and other 'Men of the Day'. They are renowned throughout the world and highly
collectible. They range in price from a few $'s up to several hundred for
the scarcer & more sought after subjects. |
GENUINE HISTORICAL and ANTIQUE
PRINTS & MAPS
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CLICK THE LINK TO ANY YEAR TO CHECK THE CONTENTS 1868/9
CLICK HERE TO VISIT OUR ALPHABETICAL INDEX Summary Of the Information on this Page
Background Information about VANITY FAIR and the POSTAPRINT Search Facility Unrelated to its modern namesake, Vanity Fair was the weekly finger on the pulse of Victorian and Edwardian upper class society. Founded in 1868 by Thomas Gibson Bowles, Vanity Fair was probing, insightful and incisive. Irreverent yet always relevant, its analyses, articles, commentaries, exposes and reviews could be and often were acerbic yet never sour or bitter. Supremely democratic, none of the prominent personalities of the day escaped its scrutiny. Renown and repute were imbued with a sense of satire, sometimes smooth, sometimes sharp, always revealing. Vanity Fair readers revelled in it. Posterity preserved it. Best known and most remembered for its colour caricatures, over 2300 were published in Vanity Fair during its nearly half century in print, from 1868 until 1914. Famous artists contributed to Vanity Fair, typically under pen names. The best known was Leslie Ward (1851-1922), who signed his works as Spy, and whose caricatures account for well over half of those featured in Vanity Fair. So famous have these fabulous prints become, Vanity Fair caricatures today often are referred to and recognised immediately simply as Spy Cartoons. Whether drawn by Ward himself or another of the Vanity Fair artists, all caricatures from this exceptional and unique publication have become prized collectibles. They are embodiments epitomising British society during the Empire's most glorious years. Previous attempts to categorise the subjects of the caricatures failed to classify them topographically or to include the interesting hobbies and background information, contained in the biographical commentaries accompanying the prints when they were published. The modern technology of our online database makes it possible, for the first time, for you to browse selections by different criteria. Basic categories have been created according to the principal interest. You can retrieve a complete category through our keyword categories list. Beyond that, using our advanced search flexibility, you can identify subjects with American interest, sporting a sword, wearing glasses or even wearing a monocle. For our UK customers, the facility is available to identify characters who lived in their particular county or even town. Search criteria are limited only by your personal preferences. Our initial listing is available now, with scans of every cartoon. In the coming months, as we continue adding information from the original biographical notes, our search facilities will become increasingly comprehensive. Example of prints and biographical notes.
Brief Outline about Vanity Fair From 1868 to 1914 the Vanity Fair caricatures both lampooned and praised the eminent Victorian and Edwardian Politicians, Sportsmen, Lawyers and other 'Men of the Day'. Thomas Gibson BOWLES created the the magazine for the elite classes, although today, these cartoons have become highly collectible items. The cartoons were printed in colour, initially using lithography, but evolving to more modern processes with the advancement of printing techniques. The overall size of the earlier prints was some 9 x 14 inches, with an engraved area of 7. 5 x 12 inches. The later prints were slightly larger. THE FOUNDER - THOMAS GIBSON BOWLES Click on the image to view a larger version In 1868, Bowles (alias - Jehu Junior) founded this prolific magazine and was also responsible for the biographical notes that accompanied the caricatures. Editor for twenty years, he moulded the magazine so that no-one was too superior to escape its critical angle. Bowles' approach was unique and insightful and readers would wait for the next edition to chuckle at the weekly theme. The objects of Jehu Junior's critique (which included Bowles himself) considered it an honour to be included in this tremendous publication, and although they were scrutinised, it was always in a light-hearted manner, intended to be amusing not insulting. This balance was achieved successfully by Bowles. The name 'Jehu Junior' was partly devised from a biblical poet who was famous for enunciating and effectuating the devastation of his enemies.
We can
usually offer a good selection of these highly collectible and
genuine antiquarian prints. |
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