Richard Bennett
We are often asked how best to frame and display antique maps and prints. Below are some practical tips to help you decide on the right approach, whether you choose to work with a professional framer or take on the project yourself.
Our first piece of advice is simple: wait until your item has arrived before measuring your item and ordering a frame or mount. The dimensions on each product page are approximate and usually include a small margin. One of the charms of antique and vintage prints is that they are not always perfectly regular in shape. Printing and engraving techniques of earlier centuries often produced borders that were slightly uneven or not quite rectangular.
We generally recommend using a professional framer, especially for older or delicate works. A skilled framer knows how to handle fragile paper, select archival materials, and create a presentation that enhances both the appearance and long-term preservation of your map or print.
That said, if you have the right equipment and some patience, many items can be framed at home. It can be a satisfying project for the creative and dextrous, but extra care is needed when handling fragile or valuable pieces.
Framing is best arranged locally, once your item has arrived, so you can choose a mount and frame that complement the colouring and paper tone. We recommend researching local framers via online reviews or personal recommendations. If you live in or around our area (London NW10), we are happy to suggest trusted local framers.
A fully custom-made frame can look superb, but it is invariably the most expensive option. If you have a limited budget, a more cost-effective solution is to buy a standard-sized frame large enough for your piece, and order a custom-cut mount (mat) to fit both the frame and your item. This gives you flexibility, reduces cost, and still provides a tailored, professional appearance.
Irregularities in antique paper are part of its charm. Handmade papers often have subtle variations, and many maps were originally folded for binding, which can leave creases or slight warping.
A professional framer can address this in two main ways:
Floating the item so it sits proud of the mounting board, accommodating surface irregularities.
Backing the item (gluing it to a board), which ensures it lies completely flat. However, be aware that backing may reduce the item’s resale value, so it is best avoided unless necessary.
Whatever approach you take, ensure that acid-free, archival-quality materials are used throughout. This prevents staining and discolouration caused by acidic boards or glues. Pay particular attention to any tape used to mount or repair your item: ordinary adhesive tapes can, over time, leave dark “burn marks” that penetrate the paper.
The glazing you choose can greatly affect both appearance and preservation:
Non-reflective (anti-glare) glass enhances the viewing experience.
UV-protective glass or acrylic is more expensive, but provides valuable protection against fading caused by sunlight exposure.
Once framed, the location is key to preservation:
Avoid direct sunlight to prevent fading.
Keep away from extremes of temperature or high humidity, which can warp paper.
A stable, well-ventilated environment is best for long-term care.
If you are buying your item as a gift, you may wish to have a certificate of authenticity attached to the back of the frame, recording its history, author, and provenance. We provide certificates for all orders, which can be downloaded directly from your customer account.
The right frame does more than simply display your antique map or print — it safeguards it for the future. Whether you opt for professional framing or a careful DIY approach, using archival materials and displaying your piece in the right environment will ensure it remains a treasured part of your collection for years to come.
Richard Bennett
Posted In
About antique maps & printsRichard Bennett
Posted In
About antique maps & prints
