Asie. Pictorial map of Asia by Jacques Liozu 1951 old vintage plan chart

£115

SKU: P-8-005564

'Asie'


A 1951 pictorial map of continent of Asia south of the USSR by French illustrator Jacques Liozu, encompassing the region from Arabia and the Mediterranean to the Pacific, including the East Indies. The countries are each shown in a different colour and are labelled, including French Indochina, which existed only a few years longer before independence, and East Pakistan, which would later separate from West Pakistan to become Bangladesh in 1971. The map features caricatures that reflect the prevailing European views of the time of national stereotypes. For example, an Indian is having trouble directing the richly adorned but stubborn elephant that he is riding, while nearby another Indian charms a snake. In Saudi Arabia, a figure struggles to lead an uncooperative camel, while another camel scene appears in China. Elsewhere, a Persian rides on a flying carpet, and a European tourist in Southeast Asia has been frightened by a tiger, while near Nankin, an overweight European is pulled in a rickshaw by a sweating Chinaman. The borders of Israel appear to reflect the UN partition plan of 1947, rather than the reality on the ground after the 1949 armistice. Tibet is shown as part of China, having lost its independence in the year of publication. The title cartouche is richly decorated with exotic Asian birds and animals. Illustrations of the flags of Asian nations, including the Colonial Powers, complete the border design.

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Size 36 x 50 cm | 14.0 x 19.5 inches

Date Published: 1951

Type: Mid 20th century colour pictorial map

Author: Liozu, Jacques

Publication: Odé Paris

Copyright by Odé Paris

Condition: Fair |

Fair: Light soiling. Minor blemishes. Repaired marginal tears. A small area of surface paper abrasion damage in bottom border. Tight margins. Please note any other blemishes on the scan prior to purchasing this picture. There is nothing printed on the reverse side, which is plain

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Condition Guide

We assess the condition of each item using three categories: Good, Fair, and Poor. We strive to ensure that any significant flaws are clearly shown in the images provided and detailed in the accompanying condition statement.

Good

The item presents well, with no significant flaws, and is in frameable condition. Minor imperfections—such as light spotting or offsetting, small blemishes, tight margins, neatly repaired tears, or discreet/professionally executed restoration—do not materially detract from its overall appearance.

Fair

The item shows noticeable flaws but remains in frameable condition. Some buyers may feel these imperfections affect its visual appeal. Typical issues may include more prominent spotting, blemishes, bleed-through from the reverse, obvious offsetting, visible or extensive restoration, wear along fold lines or junctures, small wormholes, trimmed or closely cropped edges, or less carefully executed repairs.

Poor

The item has major flaws that significantly impact its presentation and/or suitability for framing. These may include heavy spotting, staining, bleed-through, offsetting, unrepaired damage, or poorly executed repairs such as tears, holes, or areas of paper loss (including within the printed image). The item may also be fragile and prone to further deterioration.