Battle of Trafalgar—Leicester Square Panorama viewer's key broadside 1806 map

SKU: P-8-007031

'Battle of Trafalgar—Panorama, Leicester Square'


A fascinating survival from Henry Aston Barker’s Leicester Square panorama of the Battle of Trafalgar, exhibited in 1806–07. Printed on paper bearing an 1802 watermark—evidence that its paper stock predates the battle by three years—the broadside was issued only months after Nelson’s victory, giving it unusual physical and historical immediacy. The rectangular sheet combines a circular, continuous sea-level view of the battle with two numbered fleet plans, showing Nelson’s line breaking the combined French and Spanish formation. A detailed key identifies ships, commanders and armaments, while the surrounding advertisement supplies admission information and promotes the panorama’s eyewitness authority. Visitors used the sheet to orient themselves within Barker’s enormous 360-degree painting, making it both a naval print and an early guide to immersive entertainment. It brings together pre-battle paper, a near-contemporary representation of the action and the commercial presentation of recent news as spectacle.

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Size 43 x 35 cm | 17.0 x 14.0 inches

Date Published: [1806]

Type: Antique uncoloured engraved or wood-engraved panorama viewer's key, battle plan and advertising broadside

Author: Barker, Henry Aston

Henry Aston Barker (1774-1856), panorama painter and proprietor; Lane, draughtsman/engraver (Wellcome attribution); J. Adlard, printer

Publication: Barker's Battle of Trafalgar panorama

Battle of Trafalgar. Panorama, Leicester Square. [London: Henry Aston Barker, 1806]; J. Adlard, Printer, Duke Street, Smithfield. Printed viewer's key and advertisement for Barker's panorama, exhibited 14 May 1806-25 May 1807.

Condition: Good |

Good; suitable for framing. Uncoloured single sheet, substuantially complete; irregular and rough edges; old creases/folds with some wear and small areas of paper loss; small marginal nicks. Please check the scan for any blemishes prior to making your purchase. Please contact us if you would like to arrange to view this map. This is a folding map. There is nothing printed on the reverse side, which is plain

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Returns

We accept returns for any reason if sent back to us within 14 days of receipt of your order. If any of your items are not as described, we will provide a full refund including reasonable return postage costs upon safe return to us. If you have changed your mind, you are responsible for the cost of returning the item to us. We describe the size, age and condition of all our products as fully and accurately as possible. Most of the items which we sell are in very good condition. However, the condition of antique and vintage prints and maps can vary. All of our product listings including a statement which classifies the condition as being either “Good”, “Fair”, or (rarely) “Poor” and which describes any material flaws, blemishes, imperfections or other significant features such as folds. Please read the description carefully before purchase.

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Condition Guide

We assess the condition of each item using three categories: Good, Fair, and Poor. We strive to ensure that any significant flaws are clearly shown in the images provided and detailed in the accompanying condition statement.

Good

The item presents well, with no significant flaws, and is in frameable condition. Minor imperfections—such as light spotting or offsetting, small blemishes, tight margins, neatly repaired tears, or discreet/professionally executed restoration—do not materially detract from its overall appearance.

Fair

The item shows noticeable flaws but remains in frameable condition. Some buyers may feel these imperfections affect its visual appeal. Typical issues may include more prominent spotting, blemishes, bleed-through from the reverse, obvious offsetting, visible or extensive restoration, wear along fold lines or junctures, small wormholes, trimmed or closely cropped edges, or less carefully executed repairs.

Poor

The item has major flaws that significantly impact its presentation and/or suitability for framing. These may include heavy spotting, staining, bleed-through, offsetting, unrepaired damage, or poorly executed repairs such as tears, holes, or areas of paper loss (including within the printed image). The item may also be fragile and prone to further deterioration.