• Playing-Fields during the Eton Montem—large hand-coloured print—Evans/Lewis 1852 Playing-Fields during the Eton Montem—large hand-coloured print—Evans/Lewis 1852

Playing-Fields during the Eton Montem—large hand-coloured print—Evans/Lewis 1852

£580

SKU: P-9-001070

'Playing-Fields, During the Eton Montem'


An exceptionally large, richly hand-coloured Victorian mixed-method engraving showing the crowd moving through Eton’s playing fields during the ancient Montem ceremony. Costumed boys, families, soldiers and dogs gather beneath monumental elms, with College buildings glimpsed beyond. William Evans of Eton, the school’s drawing master, designed the scene; Charles George Lewis engraved it and Joseph Hogarth published the plate in London on 1 June 1852. One of a celebrated pair issued after Montem’s abolition, this appears to be the desirable open-letter proof state. A vivid and scarce record of nineteenth-century Eton pageantry.

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Size 66 x 83 cm | 26.0 x 32.5 inches

Date Published: 1 June 1852

Type: Mixed-method engraving (stipple, line engraving and mezzotint) with contemporary hand-colouring; apparent open-letter proof

Author: Evans, William

William Evans of Eton (1798–1877), source artist; Charles George Lewis (1808–1880), engraver

Publication: Joseph Hogarth's Eton Montem

Eton Montem prints, published by Joseph Hogarth, 5 Haymarket, 1 June 1852

Condition: Fair-to-Good |

Fair-to-Good: Strong original colour. Toning in uneven horizontal bands across the sheet, mainly visible in the margins, with widespread light foxing/spotting. Please note any other blemishes on the scan prior to purchasing this picture. Please contact us if you would like to arrange to view this print. There is nothing printed on the reverse side, which is plain

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Condition Guide

We assess the condition of each item using three categories: Good, Fair, and Poor. We strive to ensure that any significant flaws are clearly shown in the images provided and detailed in the accompanying condition statement.

Good

The item presents well, with no significant flaws, and is in frameable condition. Minor imperfections—such as light spotting or offsetting, small blemishes, tight margins, neatly repaired tears, or discreet/professionally executed restoration—do not materially detract from its overall appearance.

Fair

The item shows noticeable flaws but remains in frameable condition. Some buyers may feel these imperfections affect its visual appeal. Typical issues may include more prominent spotting, blemishes, bleed-through from the reverse, obvious offsetting, visible or extensive restoration, wear along fold lines or junctures, small wormholes, trimmed or closely cropped edges, or less carefully executed repairs.

Poor

The item has major flaws that significantly impact its presentation and/or suitability for framing. These may include heavy spotting, staining, bleed-through, offsetting, unrepaired damage, or poorly executed repairs such as tears, holes, or areas of paper loss (including within the printed image). The item may also be fragile and prone to further deterioration.