USAF Cold War silk escape/evasion map—ONC-M-12—Maluku—Sulawesi—Banda Sea 1969

£115

SKU: P-6-111586

ONC-M-12 — Operational Navigation Chart— scale 1:1,000,000— For Official Use Only [Sulawesi (Celebes) and Laut Banda / Banda Sea]


A Cold War era fabric Operational Navigation Chart—For Official Use Only—Banda Sea // Sulawesi (Celebes), ONC-M-12, issued by the US Air Force in the late 1960s. Fabric escape-and-evasion maps were developed during the Second World War by the British military intelligence organisation MI9, notably under the direction of Christopher Clayton Hutton. A prolific inventor of gadgets for covert military and espionage use, Hutton is also thought to have been one of the inspirations for Ian Fleming’s conception of Q Branch. Printed on both sides of rayon cloth, such maps were durable, silent in use, and easily concealed. Originally issued to airmen for use if shot down behind enemy lines, escape maps were later also supplied to Special Forces, and were notably used by the SAS during the 1991 Gulf War. This example was produced for military aircrew in the Pacific and South-East Asian theatre. The eastern side maps the Banda Sea, including Seram/Ceram, Halmahera, Ambon, and neighbouring island groups; the reverse (western sheet) covers Sulawesi (Celebes) and adjacent islands.

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Size 105 x 79 cm | 41.0 x 31.0 inches

Date Published: June 1969

Type: Cold War era double-sided GSGS/US Air Force silk fabric escape and evasion map

Author: War Office

Reproduced and amended by Survey Production Center, Royal Engineers from GSGS Misc 350

Publication: Aeronautical Chart & Information Center, US Air Force

Published by the Aeronautical Chart and Information Center, United States Air Force, St. Louis. MO

Condition: Good |

Good; suitable for framing. The nature of the map is such that the printing on the reverse side shows through to the front somewhat. Please check the scan for any blemishes prior to making your purchase. This is a folding map. The map is printed on both sides

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Returns

We accept returns for any reason if sent back to us within 14 days of receipt of your order. If any of your items are not as described, we will provide a full refund including reasonable return postage costs upon safe return to us. If you have changed your mind, you are responsible for the cost of returning the item to us. We describe the size, age and condition of all our products as fully and accurately as possible. Most of the items which we sell are in very good condition. However, the condition of antique and vintage prints and maps can vary. All of our product listings including a statement which classifies the condition as being either “Good”, “Fair”, or (rarely) “Poor” and which describes any material flaws, blemishes, imperfections or other significant features such as folds. Please read the description carefully before purchase.

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Condition Guide

We assess the condition of each item using three categories: Good, Fair, and Poor. We strive to ensure that any significant flaws are clearly shown in the images provided and detailed in the accompanying condition statement.

Good

The item presents well, with no significant flaws, and is in frameable condition. Minor imperfections—such as light spotting or offsetting, small blemishes, tight margins, neatly repaired tears, or discreet/professionally executed restoration—do not materially detract from its overall appearance.

Fair

The item shows noticeable flaws but remains in frameable condition. Some buyers may feel these imperfections affect its visual appeal. Typical issues may include more prominent spotting, blemishes, bleed-through from the reverse, obvious offsetting, visible or extensive restoration, wear along fold lines or junctures, small wormholes, trimmed or closely cropped edges, or less carefully executed repairs.

Poor

The item has major flaws that significantly impact its presentation and/or suitability for framing. These may include heavy spotting, staining, bleed-through, offsetting, unrepaired damage, or poorly executed repairs such as tears, holes, or areas of paper loss (including within the printed image). The item may also be fragile and prone to further deterioration.