Tallis’s Illustrated Plan of London & Environs—Great Exhibition—Rapkin 1851 map

£680

SKU

'Tallis's Illustrated Plan of London and its Environs, in Commemoration of the Great Exhibition of Industry of All Nations, 1851.'


The souvenir map of the Great Exhibition: John Rapkin’s plan of London in 1851, framed by H. Lacey’s engraved views of the capital’s buildings and monuments, with the Crystal Palace given pride of place at the foot of the border and marked again on the plan itself, on its original site in Hyde Park. John Tallis published it in the year of the Exhibition, and it shows the metropolis its visitors found: streets, railways and docks threading a dense centre that gives way to fields around the growing suburbs, with Regent’s Park, the Isle of Dogs and the Millbank Penitentiary, on the site of the present Tate Britain, all prominent. This is the uncoloured issue.

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Size 54 x 74 cm | 21.5 x 29.0 inches

Date Published: 1851

Type: Antique uncoloured steel engraved folding city plan

Author: Tallis, John & Rapkin, John

John Rapkin (plan, drawn and engraved); H. Lacey (illustrations, drawn and engraved); John Tallis & Company (publisher)

Publication: Tallis's Illustrated Atlas

Tallis's Illustrated Plan of London and its Environs, in Commemoration of the Great Exhibition of Industry of All Nations, 1851. London & New York: John Tallis & Company, 1851. Originally issued with parts 53–54 of Tallis's Illustrated Atlas and Modern History of the World

Condition: Fair |

Fair: Restored, with tears and fold splits repaired and reinforced on the reverse. Approximately 1–2% of the sheet, including the illustrated border, has been supplied in modern printed facsimile, chiefly at the corners and bottom right edge, with two small internal infills adjacent to the juncture. Creasing, uneven toning and repair joins remain visible. Please note any other blemishes on the scan prior to purchasing this picture. Please contact us if you would like to arrange to view this map. This is a folding map. There is nothing printed on the reverse side, which is plain

Delivery & Returns

Packing

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Delivery

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Returns

We accept returns for any reason if sent back to us within 14 days of receipt of your order. If any of your items are not as described, we will provide a full refund including reasonable return postage costs upon safe return to us. If you have changed your mind, you are responsible for the cost of returning the item to us. We describe the size, age and condition of all our products as fully and accurately as possible. Most of the items which we sell are in very good condition. However, the condition of antique and vintage prints and maps can vary. All of our product listings including a statement which classifies the condition as being either “Good”, “Fair”, or (rarely) “Poor” and which describes any material flaws, blemishes, imperfections or other significant features such as folds. Please read the description carefully before purchase.

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Condition Guide

We assess the condition of each item using three categories: Good, Fair, and Poor. We strive to ensure that any significant flaws are clearly shown in the images provided and detailed in the accompanying condition statement.

Good

The item presents well, with no significant flaws, and is in frameable condition. Minor imperfections—such as light spotting or offsetting, small blemishes, tight margins, neatly repaired tears, or discreet/professionally executed restoration—do not materially detract from its overall appearance.

Fair

The item shows noticeable flaws but remains in frameable condition. Some buyers may feel these imperfections affect its visual appeal. Typical issues may include more prominent spotting, blemishes, bleed-through from the reverse, obvious offsetting, visible or extensive restoration, wear along fold lines or junctures, small wormholes, trimmed or closely cropped edges, or less carefully executed repairs.

Poor

The item has major flaws that significantly impact its presentation and/or suitability for framing. These may include heavy spotting, staining, bleed-through, offsetting, unrepaired damage, or poorly executed repairs such as tears, holes, or areas of paper loss (including within the printed image). The item may also be fragile and prone to further deterioration.