The Heart of Scotland—Gleneagles pictorial map—LMSR—W. & A. K. Johnston 1924

£320

SKU

The Heart of Scotland. Gleneagles. [Cover: The Gleneagles Map of the Heart of Scotland shewing 5,000 Square Miles of Highlands & Lowlands around Gleneagles Hotel]


Featured in Tim Bryars and Tom Harper’s A History of the Twentieth Century in 100 Maps, this LMS pictorial map was produced to promote Gleneagles Hotel, the “Riviera of the Highlands”, which opened in 1924. W. & A. K. Johnston’s oval composition places Gleneagles at the heart of 5,000 square miles of Scottish Highlands and Lowlands, from Balmoral to the Borders and Mull to the North Sea. Roads and railways thread shaded hills, while castles and country houses appear in profile. Literary associations include Rob Roy Country, Lady of the Lake Country and the probable route of David Balfour in Robert Louis Stevenson’s Kidnapped. An inset charts the LMS railway network, and the map folds into pictorial covers bearing its original price of half a crown.

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Size 81 x 110 cm | 31.5 x 43.5 inches

Date Published: Undated, probably 1920s–early 1930s; design recorded as 1924

Type: Antique colour-lithographed linen-backed folding pictorial map in illustrated hard covers

Author: Johnston, W. & A. K.

W. & A. K. Johnston Ltd., Edinburgh, cartographer and map printer

Publication: Gleneagles—The Heart of Scotland

The Heart of Scotland. Gleneagles. Edinburgh / Glasgow: W. & A. K. Johnston Ltd. and McCorquodale & Co. Ltd., for the London, Midland and Scottish Railway and Gleneagles Hotel. Constructed and Printed by W. & A. K. Johnston, Ltd., Edinburgh, and McCorquodale & Co., Ltd., Glasgow

Condition: Good |

Good; suitable for framing. Illustrated board cover rubbed with surface scuffing. Light toning to folds of map. Please check the scan for any blemishes prior to making your purchase. Please contact us if you would like to arrange to view this map. This is a folding map. The map is linen backed - there is nothing printed on the reverse. One panel pasted onto board wrappers. Facing panel when folded with pasted marbled sheet

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Returns

We accept returns for any reason if sent back to us within 14 days of receipt of your order. If any of your items are not as described, we will provide a full refund including reasonable return postage costs upon safe return to us. If you have changed your mind, you are responsible for the cost of returning the item to us. We describe the size, age and condition of all our products as fully and accurately as possible. Most of the items which we sell are in very good condition. However, the condition of antique and vintage prints and maps can vary. All of our product listings including a statement which classifies the condition as being either “Good”, “Fair”, or (rarely) “Poor” and which describes any material flaws, blemishes, imperfections or other significant features such as folds. Please read the description carefully before purchase.

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Condition Guide

We assess the condition of each item using three categories: Good, Fair, and Poor. We strive to ensure that any significant flaws are clearly shown in the images provided and detailed in the accompanying condition statement.

Good

The item presents well, with no significant flaws, and is in frameable condition. Minor imperfections—such as light spotting or offsetting, small blemishes, tight margins, neatly repaired tears, or discreet/professionally executed restoration—do not materially detract from its overall appearance.

Fair

The item shows noticeable flaws but remains in frameable condition. Some buyers may feel these imperfections affect its visual appeal. Typical issues may include more prominent spotting, blemishes, bleed-through from the reverse, obvious offsetting, visible or extensive restoration, wear along fold lines or junctures, small wormholes, trimmed or closely cropped edges, or less carefully executed repairs.

Poor

The item has major flaws that significantly impact its presentation and/or suitability for framing. These may include heavy spotting, staining, bleed-through, offsetting, unrepaired damage, or poorly executed repairs such as tears, holes, or areas of paper loss (including within the printed image). The item may also be fragile and prone to further deterioration.